Second Home

Different people identify “home” in various ways. For some, it is tied to tangible elements such as a house, familiar streets, loved ones. For others, home is less about a physical location and more about a feeling: a sense of comfort, belonging, or inner grounding that can exist anywhere.

Migration has long been a subject of research, often framed as a way to escape limitations, seek a fresh start, or begin a new chapter in life. More recently, the concept of lifestyle migration has emerged within this discourse, though it remains relatively underexplored. This form of migration is motivated not by crisis or necessity, but by the pursuit of a different quality of life, whether that means a slower rhythm, a more favorable climate, or improved economic opportunities. Rather than a one-time move, lifestyle migration unfolds as a personal pursuit, an evolving effort to reshape how life is lived. It often involves letting go of rigid routines or chasing new forms of freedom. For many, it is about carving out space for meaning, whether through a better quality of life, more time, or a shift in values (Benson & O’Reilly 2009). These migrations are not driven solely by necessity, but by aspiration: a search for alignment between place, purpose, and self. Each journey is unique in its motivations, destinations, and dreams.

With the theme Second Home, we set out to explore the creative landscape of Paris, a city where many artistic souls find themselves navigating questions of identity, belonging, and transformation. For some, Paris might represent a transitional place; for others, it becomes a place of deep personal rooting. Through our interviews, we seek to understand how experiences of adaptation, nostalgia, and conscious reinvention shape the journey toward finding a second home, and in doing so, allow individuals to step more fully into who they are becoming.

Articles

Camille LePrince: Between Photography, Research and Painting

Camille LePrince: Between Photography, Research and Painting © Thomas Ambrosi Educated initially in...

Bettie Buio: Control and Surrender in Burlesque and Shibari

Bettie Buio: Control and Surrender in Burlesque and Shibari by Sopho Kharazi Control is something...

Valentin Pitarch: Directing and Animating Beyond the Algorithm 

Valentin Pitarch: Directing and Animating Beyond the Algorithm © Tito Piermarini At 32, Valentin...

“I Get Paid by Men to Bully Them”: Inside Georgia’s Hidden World of Online Domination

“I Get Paid by Men to Bully Them”: Inside Georgia’s Hidden World of Online Domination by...

We Bleed Glamour: Inside the Georgian Drag Ball

We Bleed Glamour: Inside the Georgian Drag Ball by Sopho Kharazi Note: My writing style in this...

From Georgia and Beyond: Exploring Cross Cultural Chairs with Matteo Guarnaccia

From Georgia and Beyond: Exploring Cross Cultural Chairs with Matteo Guarnaccia by Sopho Kharazi ©...

Khma: The Voice, the Journey, and the Theatre of Anna Kobakhidzé 

Khma: The Voice, the Journey, and the Theatre of Anna Kobakhidzé In this editorial, we talk with...

From Tbilisi to Paris: Tatuna Asatiani’s Path to Art World

From Tbilisi to Paris: Tatuna Asatiani’s Path to Art World When Tatuna arrived in Paris at the age...
Logo of Tbilisi Collective

Contact

Email: tbilisi.collective@gmail.com

Instagram: @tbilisi.collective

Facebook: Tbilisi Collective